This is my found object sculpture. I call her "Queen Bee". Everything was found in salvage yards or stuff from my storage. I also used left over materials from other sculptures I've made in the past. My inspiration came from the Dada period and assemblage artists like Jim Bauer, Remi Rubel, and Linda Lou Horn.
This blog is for East Central University sculpture students to interact with one another. Students will post images of their classwork and discuss / critique the work on an ongoing basis throughout the semester.
Showing posts with label Sculpture I. Show all posts
Showing posts with label Sculpture I. Show all posts
Tuesday, December 7, 2010
Sunday, December 5, 2010
Artist Profile - Preston Singletary
Glass brings another dimension to Native American Art It's luminous quality and shadow effects are like a spirit that appears when the lighting is right. -Preston Singletary.
I first saw Singletary's work in the NMAI in DC. His glass sculpture was a raven who had stolen the sun. There was a Tlingit story in text next to his sculpture, which is Singletary's tribe and cultural heritage. The light reflecting off and shining through the piece made it look mystical and just breathtaking.
From his bio: Singletary grew up hearing his culture's traditional stories from his Tlingit family and many of those stories prvided inspiration for his work. The formline design skills evident in so many of his pieces were acquired through study and collaboration with other prominent Northwest Coastal artist. With Northwest native icons, supernatural beings, transformation themes, animal spirits, and basketry design being his inspiration.
Artist Statement: Glass has a defining historic connection with Native Americans in the form of trade beads, which were quickly adopted as a form of ornamentation. Glass has an inherent sculptural quality that showcases another dimension with shadows.
It's crazy how Singletary never went through any university art school training. he learned by working with other artists and attending workshops at the Pilchuck Glass School. Now his artworks are included in major museums across the country and also in Sweden. He is a Board of Trustee member for the Pilchuck and the Seattle Art Musuem.
Tuesday, November 30, 2010
Progress photos - last assignment
Found Object Assignment


Cutting out ceiling tin for a skirt
Working on the face
Hello there
Hopefully it will end up being a person
Sunday, November 28, 2010
Artist Profile - Paul Tamanian




I have been a fan of Paul Tamanian's work since 2006 when I saw one of his sculptures on the front cover of American Style magazine. The inside article focused on Paul's process with clay and with aluminum. Sometimes artists don't want to reveal all their secrets but Paul shares how he creates the colors and design marks on the surface of the pieces. For the aluminum work, he uses premium-grade German automotive paint, dry wall
slurry, even liquid detergent - along with traditional materials like India ink and acrylics - over his surfaces with an air compressor gun. He even sets work on fire. "It's a scorched earth technique," he says, as resist burns off a flaming work-in-progress and paints harden in the heat. "I build up the layers, then cut through and take away to reveal the whole process. It's sort of like how the earth was formed." He sands down through the layers to remove about 80% of the buildup and then adds a clear coat. He repeats the steps dozens of times until he feels satisfied with the end results.
Paul has a design degree from Florida State University and lives in Tallahassee in a house he built himself. His work is represented by the Studio E Gallery in Palm Beach Gardens along with galleries in Santa Fe and New Orleans.
Dr. Gay Hanna, executive director of the Society for the Arts in Healthcare in Washington DC says, "There is a landscape quality to his work. He draws from his environment, capturing the heat and verdant quality and intensity of Florida".
Tuesday, November 16, 2010
Sunday, November 14, 2010
Artist Profile - Suzi Trubitz

Suzi Trubitz was born in New York and studied at Parsons School of Design and Boston University of Fine Arts. She worked as a Madison Avenue art director until she traded in the city life to live in the hills of Santa Ynez, California.
Suzi says she is a self-professed student of life, who lives and creates with intense conviction and freedom. I think she has to have much conviction to work with large pieces of stainless steel. She shapes the steel with welders, plasma torches, and grinders. Nature inspires her and it can be recognized in the majority of her sculptures, especially with a cut out leaf design. She also uses wood, glass, gems, and cloth as added elements but doesn't upstage the steel.
I"m always interested in the artists processes. The following is from her web site bio: The process of art making for Trubitz involves three stages - idea, trial, and production. Ideas come from anywhere - the energy vibrations of a found piece of glass, a packet of old letters, a poem or a song. Her material of choice - large sheets of stainless steel or other plate metals. She is never intimidated, instead she is inspried to try out and create new techniques, which bring a piece to life.
Tuesday, October 19, 2010
Thursday, October 7, 2010
Sunday, October 3, 2010
Tuesday, August 31, 2010
Friday, August 27, 2010
Progress photos
First Step - Drawing my relief. An ancient figure from the Mississippian cultures often referred to as Eagle Man or Bird Man; fitting him in 2010, I call this "Bird Man goes to Starbucks"
Next: transfer image to wood and start the first stages of carving
Tuesday, August 24, 2010
Whitney Focus presents Claes Oldenburg's "Giant BLT"
n/,n/,.n/,n/,n
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